The Sony ZV-1 (above) trumps it for outright video quality, but if you tend to shoot a lot of walk-and-talk style clips to camera, then the Pocket 2's combination of a three-axis gimbal and solid face-tracking could make it more appealing.Ĭompared to the Osmo Pocket (which remains on sale as a more affordable alternative), the DJI Pocket 2 brings a new larger sensor, a brighter lens, improved microphones and wider field of view, which means you don't have to hold it out at arm's length when talking to camera. We were big fans of the original DJI Osmo Pocket, but this sequel fixes a lot of its limitations and makes it the best compact option around for solo filmmakers. Read our in-depth Panasonic Lumix GH6 review.Stabilization is superior too, courtesy of an algorithmic upgrade that makes the GH6 one of the best cameras for smoothing out walking motion in a natural way. There’s still no phase detection AF either, although contrast-based autofocus performance does seem improved from the GH5 Mark II. The 3-inch rear touchscreen flips, twists and tilts, while a second video record button on the front now makes it easier for vloggers to start rolling.Ĭonnectivity options are comprehensive, although the GH6 does lack the live-streaming capabilities of the GH5 Mark II. Its robust build is complemented by familiar controls and new tally lights front and back. While it’s marginally larger than the GH5 Mark II, it still retains a relatively portable form factor. It also offers a massive arsenal of formats, frame rates and resolutions – including a larger catalogue of 10-bit modes – while forced-fan cooling means limitless recording times. The GH6 tops it on almost every metric: equipped with a sharper 25.2MP Micro Four Thirds sensor, it can shoot 5.7K footage at 60fps. ![]() Panasonic’s second-gen GH5 was one of our favorite cameras for vloggers, offering plenty of creative potential in compact packaging.
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