His legacy lives on through his diary, art, and letters donated to JANM by his family. At the age of 19, Stanley is killed in Italy while trying to rescue a fellow soldier during combat. history for its size and length of service. Stanley’s letters home to his family reveal the hardships from the European front lines, while also keeping a positive outlook, so as not to worry his parents. Army’s 442nd Regimental Combat Team, the segregated, Japanese American unit that would become the most decorated unit in U.S. In 1944, Stanley is drafted into the U.S. Stanley opens up about his family’s incarceration, the military draft, and the importance of serving his country. But this is 1942, and his Japanese American family is imprisoned at Heart Mountain concentration camp in Wyoming. The young teen’s words and sketches are a window into his everyday life and feelings. It looks like we might get a “Bazinga”! out of Sadoski after all.A Los Angeles native, Stanley Hayami is an ordinary American teenager from Mark Keppel High School in Alhambra writing in his journal about school and his dreams of becoming an artist or writer. Regardless of where you are in your life, you can relate to these characters.” ![]() “I think one of the things that makes Bing Bang Theory as successful as it is is that you have these characters that wouldn’t be relatable, but are. That is something it shares with any other show on CBS,” he says. “The thing that makes the show great is that it’s very relatable. ![]() While Life in Pieces isn’t nearly as complex as a show about a high school teacher who becomes a meth kingpin, part of what drew Sadoski to the material is, well, something it shares with many other CBS sitcoms. They aren’t watered down, and people are flocking to them for complicated material.” That’s what makes Breaking Bad and House of Cards and HBO and Showtime and Netflix so popular. If you’re going to do it, you have to do it. They were articulate and deep and thick scripts and by the time it went through network notes and studio notes and editing, a lot of the edge was dulled because I think they were nervous. “We would get these profoundly challenging scripts from one of the great writers living today, Jon Robin Baitz. “If you’re going to take challenging material and do it on TV you as a network can’t be afraid of that material,” he says of some of the show’s problems. This summer Sadoski was part of a killer ensemble on NBC’s The Slap, which was aiming for a prestige feel but fell short with both critics and viewers. This show is like a prestige project gently pushing on the boundaries of what network comedies can do. The pilot features Brolin throwing his own funeral for a birthday party so he can see what things will be like when he dies – though he doesn’t get quite the reaction he expects. Life in Pieces, though similar to Modern Family, is much less sunny than other TV sitcoms. But there is nothing to prepare you to walk in on your adult parents having sex, so maybe that tips the balance in favor of living with your parents.” “Although there are hotels and motels to be found and back seats of cars you can try out. ![]() So, which is worse, having to live with your parents or not have anywhere to have sex with your new girlfriend? “On some level it’s a tie,” Sadoski laughs. That means that after their first date, Matt tries to bring her home to close the deal, only to be interrupted by his parents. He gets close with a recent divorcee (Angelique Cabral) who still lives with her ex ( Jordan Peele, who is suddenly everywhere). After a bad patch in his personal life, he’s forced to move back home with his parents and start dating. Hanks and his wife (Zoe Lister-Jones) just had their first child whereas Brandt and her husband (Dan Bakkendahl) have three children, the first of which is about to go off to college.Īs for Sadoski’s character, Matt, he suffers a series of indignities in the show’s first episode. Wiest and James Brolin play the parents and their three children, played by Fargo’s Colin Hanks, Breaking Bad’s Betsy Brandt, and Sadoski, are at different stages of their own lives. ![]() We have four opportunities every show to tell a great beginning, middle, and end funny story or a touching story … Our format is going to be a really strong thing for us.” “We don’t have to get stuck into a very specific formula. “I think that the possibilities for it are limitless,” Sadoski says, adding that he doesn’t think the conceit will be limiting.
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